Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
That one recording should continue to hold sway over many other attractive comers after 30 years is simply a tribute...
Reviewed by Alan Blyth in issue: 2/1987
Tchaikovsky's Tempest is a flawed work nevertheless offering imaginative moments, impressive orchestral colouring and a magnificent love theme - perhaps...
Reviewed by Ivan March in issue: 6/2000
The Trio Fontenay are a young German ensemble with an average age of 30, who studied in Hamburg and took...
Reviewed by Christopher Headington in issue: 11/1991
The war over, the Milanese set about the immediate rebuilding of the bombed La Scala. By 1946 the work was...
Reviewed by Alan Blyth in issue: 10/1999
It was inevitable that when interest finally focused on the superb array of heavyweight operas Rossini created for Naples between...
Reviewed by Richard Osborne in issue: 4/1997
Cherubini was born in 1760, four years after Mozart, and lived until 1842, when Beethoven had been in his grave...
Reviewed by rgolding in issue: 5/1993
This is the long-delayed final instalment of Ashkenazy's Scriabin cycle (Nos. 2, 7 and 10 are available on SXL6868, 9/78;...
Reviewed in issue 10/1987
“Vittoria! Vittoria!” No wonder all the backroom boys and torture-chamber skivvies pile in during the course of that top note...
Reviewed in issue 4/1998
Pleeth and Shepperd (CRD), using period instruments, are at present the only ones to offer all nine extant sonatas, a...
Reviewed by John Duarte in issue: 11/1991
These recordings were made when Sauer was in his late seventies, and the recently discovered solo works in particular reveal...
Reviewed by Tim Parry in issue: 5/1999
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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