Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Mozart Camargo Guarnieri (1907-93) composed seven symphonies in all. John Neschling’s first issue (12/02) was something of a revelation, featuring...
Reviewed by Guy Rickards in issue: 2/2004
It is good to have four such distinguished versions of the Triple Concerto to choose from, and it is good...
Reviewed in issue 10/1985
Not only purists but Bach-lovers too would be well advised to sit this one out; for the disc’s avowed purposes...
Reviewed by Lionel Salter in issue: 3/1999
Play a random three-minute sequence from any one of these CDs and the composer’s identity immediately establishes itself. Gavin Bryars...
Reviewed by Rob Cowan in issue: 3/2003
Large-scale choral works that convey a message have had a resurgence over recent years. Rendering sacred texts from a present-day...
Reviewed by Richard_Whitehouse in issue: 6/2011
For some people, Faure's name is synonymous with Gallic refinement, but also—certainly if we compare him with Berlioz or Messiaen—perhaps...
Reviewed by Christopher Headington in issue: 10/1993
On April 26th, 1945 Ida Haendel, a young violinist at the beginning of her career, entered Decca’s West Hampstead studios...
Reviewed by Ivan March in issue: 7/1999
When last year this recording of the Mozart Clarinet Concerto first appeared, with Sabine Meyer joined by Claudio Abbado conducting...
Reviewed in issue 7/2001
A disc that spans half-a-century of Saint-Saens’s long career, from the colourful early Symphony, with its echoes of Mozart, Beethoven...
Reviewed by DuncanDruce in issue: 4/1997
The 1984 LP was Licad's debut on record, and I share TH's welcome for it. Still only 24, this Manila-born...
Reviewed by Joan Chissell in issue: 2/1986
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.