Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Coupling these quartets seems to be in vogue: this disc follows on from that by the Hagen Quartet (DG, 8/06),...
Reviewed by Richard_Whitehouse in issue: 13/2006
This is a ‘first’ in more ways than one. To begin with, Monteverdi’s Primo libro of 1587 is, even by...
Reviewed by Iain Fenlon in issue: 8/1996
For a composer with James Dillon’s avantgarde credentials‚ the title Vernal Showers might lead you to expect a sendup of...
Reviewed in issue 11/2001
A milestone in American film music, Jerry Goldsmith’s Planet of the Apes score (1968) is truly extraordinary and the best...
Reviewed in issue 1/1998
Only last October I gave a guarded welcome to Chamber Domaine’s world première recording of Bliss’s 1915 Piano Quartet. Now...
Reviewed by Andrew Achenbach in issue: 6/2003
Masterly performances from Jean-Philippe Collard and the RPO. The great French pianist brings authority and virtuosity to these two concertos...
Reviewed by Robert Layton in issue: 7/1987
A quiet companionable record, reflective company for a fireside evening: an Elizabethan anthology, partly to words, partly instrumental, with ballad...
Reviewed in issue 1/1990
To Hans Werner Henze the Ninth Symphony represents “the most extreme experience I have ever had, both in terms of...
Reviewed by Michael Oliver in issue: 6/1998
It is surprising that over his years of recording with the Royal Philharmonic Beecham paid so little attention to Mozart...
Reviewed by Edward Greenfield in issue: 13/1999
Francesco Durante was a leading light among a gifted generation of Neapolitan composers that included Leonardo Leo, Nicola Porpora and...
Reviewed by Nicholas Anderson in issue: 4/1996
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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