Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The Linos Ensemble’s highly polished, enthusiastic performances in this programme of Haydn’s chamber music for wind instruments and strings generate...
Reviewed in issue 9/1996
With three versions now in the catalogue (and a fourth, from Hogwood, in the pipeline), Haydn's fetching programmatic trilogy has...
Reviewed by Richard Wigmore in issue: 12/1991
John Foulds was one of the mystery men among British composers. Born in 1880, he died in 1939 having written...
Reviewed by Edward Greenfield in issue: 11/2010
Partenope is crammed with outstanding arias varying in musical styles and techniques but it is also a beautifully crafted drama...
Reviewed by David Vickers in issue: 5/2010
Volume 15 of Regent’s splendid English Cathedral Series takes us to York and the superb artistry of John Scott Whiteley,...
Reviewed by Malcolm Riley in issue: 2/2009
I feared the worst having seen the soloist’s photograph in the booklet before listening to the disc. The photogenic Ms...
Reviewed by Jeremy Nicholas in issue: 10/2008
Do we really need another selection of ballads, novelty numbers and singalong dance tunes from shows which were either unproduced,...
Reviewed in issue 13/1997
Segerstam lends a keen, composerly ear to this startling score, delighting in the invention, the textural detail and colour as...
Reviewed by Edward Seckerson in issue: 12/1991
Walton's career as a conductor seems to me to fall into two phases. It was Sir Eugene Goossens, experienced in...
Reviewed in issue 9/1986
It is with the second book of Preludes that Livia Rev begins her recital, then plays Masques in the middle...
Reviewed by Christopher Headington in issue: 5/1992
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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