Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
‘The Adventures’ must refer to Korngold’s famous score for The Adventures of Robin Hood, because as Barrie Gavin’s documentary reveals,...
Reviewed by mscott rohan in issue: 9/2003
When he first recorded the Reliquie ten years ago for Erato (nla), Dalberto gave us just the first two movements...
Reviewed by Joan Chissell in issue: 10/1990
Alexandre Tansman lived from 1897 to 1986, and this selection of his compositions for solo piano spans the years 1915...
Reviewed by Arnold Whittall in issue: 9/2009
For a work that will never be exactly easy to capture on record (and it may be significant that none...
Reviewed by Michael Oliver in issue: 3/1987
Martin Brest’s Meet Joe Black is the rarest of Hollywood creatures – a three-hour character study that combines comedy with...
Reviewed in issue 5/1999
The producers are not so rash or, maybe, so publicity-minded, as to claim premiere recordings here, but they could probably...
Reviewed in issue 13/1998
What is it that makes the art of Mozart interpretation such a minefield? I have puzzled over this for many...
Reviewed in issue 7/1986
This is very close to what it must be like to hear Wozzeck from the prompter's box: everything in close-up,...
Reviewed by Michael Oliver in issue: 9/1994
The piano music Rossini wrote for the celebrated Saturday Soirees which he and his second wife, Olympe Pelissier, hosted during...
Reviewed by Richard Osborne in issue: 1/2000
Julia Migenes's natural feeling for Viennese operetta has already been well demonstrated in a 1978 Acanta recital emanating from Cologne...
Reviewed by Andrew Lamb in issue: 1/1994
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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