Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Rigoletto never had much to commend it. In its day it stood well below the old Cellini/RCA and Cetra...
Reviewed by Alan Blyth in issue: 7/1994
Helen Callus, British-born but based in America, plays with sumptuous tone matched by flawless intonation to give the most beautiful...
Reviewed by Edward Greenfield in issue: 9/2006
Though most of the items in this indispensable collection of Birtwistle’s keyboard music last five minutes or less, two are...
Reviewed by Arnold Whittall in issue: 4/2005
You wait ages for Suk’s Asrael to enter the international repertoire and then three non-Czech recordings arrive all at once....
Reviewed by David Gutman in issue: 11/2009
Handel’s Serse has proved to be one of the most popular of his operas over recent years – certainly in...
Reviewed by Stanley Sadie in issue: 6/1998
Included here are a pleasant performance and a good one, both well recorded. The 'pleasant' reading is the Schubert: beautifully...
Reviewed by Stephen Johnson in issue: 5/1992
This is a transfer to CD of a recording issued nearly five years ago, just after Lux aeterna had had...
Reviewed in issue 11/1989
I enjoyed, if that is the right word for Elektra’s gruesome drama, this performance of Strauss’s opera (taken from the...
Reviewed by Alan Blyth in issue: 9/2000
The Mosaiques Quartet, who use period instruments, are new to me, though the cellist, Christophe Coin, has made several appearances...
Reviewed by Stanley Sadie in issue: 2/1990
Albinoni's oboe concertos may not have been the very first of their kind to be written—Vivaldi could have beaten him...
Reviewed by Nicholas Anderson in issue: 3/1990
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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