Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
East Asia is rapidly becoming an organ enthusiast’s paradise. There are fascinating old instruments in the Philippine Islands, glorious concert-hall...
Reviewed by Marc Rochester in issue: 6/1998
Was there ever a violinist so often filmed as Menuhin? The numerous film clips and still photographs of Menuhin playing...
Reviewed by Guy Rickards in issue: 1/2001
A year after his death, Krenek's music is being revived. I enthusiastically welcomed Geoffrey Douglas Madge's first two volumes of...
Reviewed by Peter Dickinson in issue: 4/1993
From the moment that Mahler hurls down that massive E flat major chord on the organ, one thing must be...
Reviewed by Edward Seckerson in issue: 1/1992
That this work is the essential link between Gluck and Berlioz, and also pre-echoes late Rossini and Bellini, is even...
Reviewed in issue 12/1995
The idea of pagans outwitting their Christian oppressors inspired Mendelssohn to pen some of his most mischievous musical invention: Berlioz...
Reviewed in issue 2/1998
Joanna Brzezin´ska’s first disc of Villa-Lobos (7/07) focused on the childlike (but by no means childish) cycle A prole do...
Reviewed by Guy Rickards in issue: 2/2010
The Albeniz of Iberia, that outstanding staple of Spanish piano literature, is quite unrecognizable in these works of his dating...
Reviewed by Lionel Salter in issue: 12/1994
Rózsa’s concertos have done comparatively well on disc of late, with multiple interpretations of both works featured here as well...
Reviewed by Guy Rickards in issue: 10/2006
Joseph Achron’s identity as a pioneering Jewish composer was more extensive and ran deeper than his Hebrew Melody and Hebrew...
Reviewed by Lawrence Johnson in issue: 1/2004
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.