Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The years 1957 to ’73‚ the last of Benjamin Frankel’s life‚ were the most productive of ‘serious’ music (his output...
Reviewed in issue 1/2002
Prokofiev's Fifth Symphony is one of those works which has always been lucky on the gramophone. It has rarely been...
Reviewed by Robert Layton in issue: 6/1990
This disc‚ offering not just three Bach cantatas complete‚ but an hourlong feature film‚ revealingly celebrates the unique pilgrimage undertaken...
Reviewed in issue 1/2002
The results are impressive. The music is taken consistently up to speed, driven strongly but by no means inflexibly along,...
Reviewed by Richard Osborne in issue: 2/2000
The title may be misleading, and very glad I am to have found it so. ‘Romantic’ here does not mean...
Reviewed by John Steane in issue: 12/2002
Another month, another in-house label from a leading orchestra. This is not the place to discuss the phenomenon itself –...
Reviewed by Richard Osborne in issue: 11/2005
Whilst the Haydn and Hummel trumpet concertos trip merrily off the tongues of modern players on gleaming silver (it seems...
Reviewed in issue 4/2002
What I most enjoyed about this superbly engineered CD was the high level of musical interrelation that it more or...
Reviewed by Rob Cowan in issue: 7/2007
This is not a selection you will encounter on one CD all that often, simply because it places a pair...
Reviewed by Lindsay Kemp in issue: 4/1999
If Eric Coates scarcely needs the pioneering efforts of Marco Polo's British Light Music Series, the series would equally be...
Reviewed by Andrew Lamb in issue: 1/1994
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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