Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Things seem to be looking up for the British string quartet. Not only are the Britten and Tippett quartets firmly...
Reviewed by Stephen Johnson in issue: 6/1991
This may seem a strange mixture, but Britten as conductor brings to each item a striking freshness. How unusual it...
Reviewed by Edward Greenfield in issue: 8/1999
Musical associations can be maddeningly insistent. Years passed before I could divorce organ music from religious services, brass bands from...
Reviewed in issue 12/1997
Fifty years ago in June A Dinner Engagement was premièred at the Aldeburgh Festival. It was written for Britten’s English...
Reviewed by kYlzrO1BaC7A in issue: 9/2004
Some years ago a critic remarked that the difficulties of Godowsky's 53 Studies on Chopin's 27 Studies—his most widely discussed...
Reviewed by Bryce Morrison in issue: 3/1992
There is a sense in which this pair of symphonies from Rostropovich’s complete cycle falls between stools. Neither is as...
Reviewed by David Gutman in issue: 9/2001
Calabrian-born Leonardo Vinci (1690-1730) was a younger contemporary of Vivaldi, whose influence on opera composers of his own generation, among...
Reviewed by Nicholas Anderson in issue: 9/1999
Hindemith’s Violin Concerto of 1939 is a splendid piece, yet unaccountably has never enjoyed the same success as, say, Bartok’s...
Reviewed in issue 11/1999
Worth investigating if you have an adventurous spirit and an interest in contemporary vocal music. Patrick Burgan's La Puerta de...
Reviewed by Michael Stewart in issue: 3/2000
I’m all for this super-budget Oehms ‘Documents of the Munich Years’ series; it shows James Levine on the wing –...
Reviewed by Rob Cowan in issue: 4/2005
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.