Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Louis Moreau Gottschalk was one of the most colourful characters in the history of music. His memoirs, Notes of a...
Reviewed by Peter Dickinson in issue: 9/1991
Gerard Poulet is not the most showy violinist – he may not have Sitkovetsky’s uncanny control, or Kagan’s sumptuous tone,...
Reviewed by DuncanDruce in issue: 8/1996
Roberto Gerhard attached New York to the title of his Fourth Symphony (1967) because it was commissioned for performance there....
Reviewed by Arnold Whittall in issue: 2/2000
If the Bicentenary is going to serve any useful purpose other than shifting recycled recordings, souvenir booklets and Mozart...
Reviewed by Lindsay Kemp in issue: 5/1991
This is a further instalment in a series based on live performances at the Macerata Festival‚ conducted by Gustav Kuhn....
Reviewed in issue 1/2002
As the Britten centenary approaches in 2013, more of his unheard youthful works will no doubt come into the open....
Reviewed by Richard Fairman in issue: 13/2010
A new label, a newish period-instruments orchestra that has already done some exciting things under a variety of conductors, a...
Reviewed by Richard Osborne in issue: 6/1988
When most issues of Beethoven Op 18 easily manage to fit three quartets onto a CD, it seems rather mean...
Reviewed by DuncanDruce in issue: 1/2002
At once Tate's performance of K287 beats a different path from that of his rivals listed above, for he opens...
Reviewed in issue 4/1990
This classic version, generally accepted as the most convincing and knowledgeable performance the work has yet received, has been available...
Reviewed by Alan Blyth in issue: 12/1994
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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