Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
There can't be many pianists on the current circuit whose fund of experience extends to working with a major twentieth-century...
Reviewed in issue 11/1995
This disc was recorded in Bolzano in December 1992. The sound is firm and immediate, if a bit strident at...
Reviewed by Christopher Headington in issue: 7/1994
David Stanhope is an Australian composer, conductor, horn player and bass trombonist who ‘occasionally finds time to practise the piano’....
Reviewed by Bryce Morrison in issue: 8/2000
A landmark in the history of the gramophone, Karajan’s 1956 EMI recording of Der Rosenkavalier featured an unrivalled cast, with...
Reviewed by ihumphreys in issue: 9/1996
This version makes a welcome return to the catalogue. To my mind it is preferable in almost every way to...
Reviewed by Alan Blyth in issue: 9/1993
Curzon recorded the D major Sonata and the two Impromptus at the Sofiensaal, Vienna, in June 1964. The Moments musicaux...
Reviewed by Joan Chissell in issue: 4/1995
Do persevere with this one. It begins (after the sepulchral darkness and beautiful solo string writing of the Prelude) disconcertingly...
Reviewed by Michael Oliver in issue: 3/1998
The extreme and highly individual character of Gesualdo’s music has led to some strange historical results. A revival of interest...
Reviewed by Iain Fenlon in issue: 7/2000
As their Kochel numbers tell us, these two string quintets were written as a pair. They are also masterpieces which...
Reviewed by Christopher Headington in issue: 5/1992
This could be called Tavener’s Creation, an oratorio-like account of the Biblical tale beginning with a representation of primordial Chaos....
Reviewed by mscott rohan in issue: /2000
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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