Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
On the face of it the difference between 'early' and 'mature' Herbert Howells is easily explicable, since the date that...
Reviewed by Michael Oliver in issue: 3/1994
Telemann's Essercizii Musici was published in Hamburg late in 1739 or in the following year. Its collection of alternating ''Solos''...
Reviewed by Nicholas Anderson in issue: 8/1993
Given the very positive projection of London Winds' Hyperion set, these classic performances of a previous generation should find a...
Reviewed in issue 7/1994
A very enjoyable coupling. Monteux demonstrates that urgency, ardour, even impetuousness, are not at all foreign to Franck's nature, and...
Reviewed by Michael Oliver in issue: 3/1989
If the harpsichord seems an instrument unlikely to interest Iannis Xenakis, a composer known more for powerful forces and loud...
Reviewed in issue 10/1990
This is part of a Richard Wagner Edition from Philips that also includes the complete (mature) oeuvre in video versions,...
Reviewed by Alan Blyth in issue: 10/1992
Corelli's only set of concertos, published in 1714 as his Op. 6, is well represented in the catalogue at present....
Reviewed by Nicholas Anderson in issue: 9/1990
Though one might not readily associate Barenboim with Chopin, this is for me a deeply impressive LP. Each piece is...
Reviewed by James Methuen-Campbell in issue: 12/1987
Familiar Bach territory, but presented here in an interesting running order. The Schubler chorales are divided into three pairs and...
Reviewed by Christopher Nickol in issue: 3/2001
Soon after the DVD recording of L’Upupa, which Henze has said will be his last stage work (3/05), comes this...
Reviewed by Arnold Whittall in issue: 13/2005
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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