Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Joseph Martin Kraus was an accomplished artist at both keyboard and violin, and like his contemporary Mozart, he turned to...
Reviewed by Peter Quantrill in issue: 2/2008
It’s an inspired coupling, as well as a generous one, to have these three high-romantic concertos together. James Ehnes gives...
Reviewed by Edward Greenfield in issue: 2/2007
After listening to this disc, I had a sneaking feeling that it might have been more up the ''Sounds in...
Reviewed by Lionel Salter in issue: 7/1986
The Chilingirian Quartet give a pleasantly unforced account of Bartok's First Quartet, with a sensitive tonal blend and good intonation....
Reviewed in issue 6/1988
Gluck’s reputation today is based on his so-called “reform” operas Orfeo ed Euridice and Alceste, composed in Vienna in the...
Reviewed by Richard Lawrence in issue: 9/2010
There are people I respect who seem convinced that the belligerent crossover of Michael Gordon and his pals from New...
Reviewed by David Gutman in issue: 11/2002
When just over a year ago Michael Dutton launched his budget-price Essential Archive series of historical recordings he understandably chose...
Reviewed by Edward Greenfield in issue: 5/1997
The Amadeus Quartet and Cecil Aronowitz were a famous ensemble in Mozart's six string quintets, and this issue is a...
Reviewed by Christopher Headington in issue: 3/1991
“I am no Misliwetcek! I am a young and decent-minded Mozart,” protested Wolfgang to his father from Mannheim in 1778...
Reviewed by Richard Wigmore in issue: 4/2007
This is an important issue, and first let me praise the enthrallingly good singing of the London Sinfonietta Voices and...
Reviewed in issue 10/1988
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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