Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Anyone who was hoping that the present focus on Spain might encourage a recording of a Spanish opera (a genre...
Reviewed by Lionel Salter in issue: 9/1992
Sinatra studied the trombone playing of his boss Tommy Dorsey to learn about breath control and long lines, but All...
Reviewed by svoce in issue: 8/1998
Sutherland sang Norma for the first time at the age of 36 late in 1963 at Vancouver. She recorded it...
Reviewed in issue 4/1988
Although this is the third version of Coleridge-Taylor’s crowd-pleasing Violin Concerto to have appeared in as many years, it predates...
Reviewed by Andrew Achenbach in issue: 12/2007
As is only to be expected, Ghiaurov's operatic abilities serve him well in the more dramatic of the songs in...
Reviewed by John Warrack in issue: 1/1995
A record which will surely be attractive to people with an interest in the historical approach to performing Classical chamber...
Reviewed by Stephen Plaistow in issue: 7/1985
With Ludwig on the last lap of her career, Lipovsek bids fair to take her place in many spheres, not...
Reviewed by Alan Blyth in issue: 9/1993
This compilation breaks through the thin wall often erected between the vocal and instrumental musics by focusing recordings on one...
Reviewed by John Duarte in issue: 5/1986
One might describe Goran Sollscher as 'the thinking man's guitarist': one who does nothing he has not thought through, and...
Reviewed by John Duarte in issue: 6/1990
There is a great deal to be said for English performances of Die Schopfung (''The Creation'') being sung in English,...
Reviewed in issue 2/1989
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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