Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The production by Willy Decker of Korngold’s most famous opera at last year’s Salzburg Festival created something of a sensation....
Reviewed by Patrick O'Connor in issue: 11/2005
The complete 1739 first-performance version of Israel in Egypt, with the funeral anthem for Queen Caroline (1737) adapted into Part...
Reviewed by David Vickers in issue: 8/2010
Janácek and Dohnányi present an interesting contrast, both growing up within the Germanic Romantic milieu while conscious of a separate...
Reviewed by DuncanDruce in issue: 7/2010
Mompou called this collection of so-called “Silent Music”, inspired by the poet San Juan de la Cruz, “a weak heartbeat”...
Reviewed by Jeremy Nicholas in issue: 3/2007
Hyperion’s Romantic Piano Concerto project is, I believe, one of the most significant series of piano recordings ever undertaken. Given...
Reviewed by Jeremy Nicholas in issue: 12/2005
It is not perhaps surprising that the key, opening flourishes and other episodes in this splendid concerto recall Rachmaninov’s Piano...
Reviewed by Jeremy Nicholas in issue: 5/2011
Such a triptych would have been unlikely before the advent of CD, where Tchaikovsky's powerful climaxes do not demand extra...
Reviewed by Ivan March in issue: 4/1990
Although long known through various selections, Shostakovich’s second film score Odna (“Alone”) is only now available complete. This 1931 Kozintsev/Trauberg...
Reviewed by Richard_Whitehouse in issue: 2/2008
Volume 10, and one feels the surface has hardly been scratched. The series’ consultant musicologist, Dinko Fabris, who at the...
Reviewed by Jonathan Freeman-Attwood in issue: 11/2000
It has been an uplifting experience—hard on the heels of Sinopoli's quirky Strauss offerings with the same orchestra (DG, 11/92)—to...
Reviewed in issue 12/1992
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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