Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
In the August 1988 issue I found myself wondering what had prompted a flurry of activity amongst performers in turning...
Reviewed by Nicholas Anderson in issue: 10/1989
Extremely low marks here for presentation: skimpy and inadequate summaries (some written with no sense of punctuation) instead of either...
Reviewed by Lionel Salter in issue: 2/1988
Apart from the Trio recorded here, Weber wrote only two pieces of concerted chamber music, the Piano Quartet and the...
Reviewed by John Warrack in issue: 7/1991
It seemed that Chailly, Abbado and Stravinsky himself had between them more or less sewn up the ‘Pulcinella on record’...
Reviewed in issue 5/1996
A composer who was for many years a professional cellist, Haflii Hallgrímsson’s writing for piano is nothing if not idiomatic,...
Reviewed by Richard_Whitehouse in issue: 11/2008
Dynamic has been building up a very worthwhile catalogue of live opera recordings, including rarities such as Massenet’s Roma. This...
Reviewed by Richard Fairman in issue: 9/2003
This fascinating disc gathers together for the first time all of Fauré’s concertante works; a record of concertos, if you...
Reviewed by Bryce Morrison in issue: 10/2009
Percussion has been a pervasive and developing presence in Western music throughout the past century: from the pioneering work of...
Reviewed by kYlzrO1BaC7A in issue: 13/2002
Not before time Clemens Krauss’s Ring, which many, including myself, consider to be the most compelling and best-cast cycle, is...
Reviewed by Alan Blyth in issue: 6/2004
EMI follow up their revelatory Elgar Edition with this handsome Walton Edition, bringing together the composer's own EMI recordings not...
Reviewed by Edward Greenfield in issue: 11/1994
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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