Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
There are two ways of looking at this DVD – if you take my meaning. The first is as a...
Reviewed by Jeremy Nicholas in issue: 1/2007
‘Deo Gratias’ (‘Thanks be to God’), Dvorák’s final comment on his life, is an admirably direct and informative documentary, with...
Reviewed by Edward Greenfield in issue: 3/2005
Here is another invaluable addition to the series of live performances by Fischer-Dieskau from the Salzburg Festival, and one that...
Reviewed by Alan Blyth in issue: 6/1994
An attractive Holst compendium, accorded first-rate sound. Both the St Paul's and Brook Green suites come off especially well here,...
Reviewed by Andrew Achenbach in issue: 12/1994
Rinaldo was the closest Brahms ever came to composing an opera; the booklet-note writer goes so far as to describe...
Reviewed by Marc Rochester in issue: 11/2000
‘The great Polish bass’ is the record’s subtitle. I have no desire to belittle any singer‚ living or dead –...
Reviewed in issue 3/2002
The ongoing restitution of this work on disc continues apace with this thrilling version, one that seriously threatens the hegemony...
Reviewed in issue 9/1995
Abbado's Barbiere may only just have appeared on CD, but it is a good ten years older than Marriner's, and,...
Reviewed by hfinch in issue: 10/1986
Naxos's fourth issue of Alan Rawsthorne's music presents us, again, with a disc brimming with high-quality music and superlative performances....
Reviewed by Michael Stewart in issue: 4/2000
There is not really an improvement on the original LPs of this pair of performances, but the somewhat hoarse sound...
Reviewed by John Warrack in issue: 11/1985
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.