Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Charles Camilleri is a Maltese composer now in his early sixties. These three concertos span the greater part of his...
Reviewed by Michael Oliver in issue: 9/1994
King Priam was a great shock when it was first performed in 1962. In place of the ecstatic lyrical warmth...
Reviewed by Michael Oliver in issue: 2/1996
“Born in Ireland in 1782”, reads John Field’s headstone, “Dead in Moscow in 1837.” There is little of Moscow in...
Reviewed by Jeremy Nicholas in issue: 10/2010
This is the fifth recording in the Deutsche Harmonia Mundi series dedicated to Spanish baroque music by Al Ayre Espanol,...
Reviewed by Tess Knighton in issue: 13/1999
We have had some interesting and valuable additions to the piano repertoire via Naxos’s Romantic Piano Concerto series, but Sigismond...
Reviewed by Michael Stewart in issue: 7/2000
Paul van Nevel has done it again. Whether it is Gombert (Sony, 4/93) or Brumel (5/91), Gallus or Pipelare (10/96),...
Reviewed in issue 1/1998
This is a disc guaranteed to delight anyone who has ever responded to the youthful sparkle of Bizet’s Symphony in...
Reviewed by Edward Greenfield in issue: 2/2011
Julian Steckel, winner of many prizes, has studied under Heinrich Schiff, among others, and has also been principal cellist of...
Reviewed by Ivan March in issue: 10/2011
At Beecham’s famous 1951 Covent Garden Meistersinger, Anders was the unforgettable Walther: at least after all these years I haven’t...
Reviewed by Alan Blyth in issue: 5/2003
So far no one has coupled Pelleas and Swanwhite together; in fact there is at present only one alternative account...
Reviewed by Robert Layton in issue: 7/1989
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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