Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Twenty years intervened between the composition of these deeply affecting funeral cantatas. Gottes Zeit ist die allerbeste Zeit dates from...
Reviewed by Nicholas Anderson in issue: 5/1991
David Stanhope is an Australian conductor, composer, horn-player and trombonist who claims he only occasionally finds time to practise the...
Reviewed by Bryce Morrison in issue: 7/2006
Three strikingly contrasted symphonies here, with the C minor, No. 78, forming a tonal pivot between the C major L'ours...
Reviewed by Richard Wigmore in issue: 9/1991
As on LP I would firmly opt for this CD version of the three most popular Strauss symphonic poems, even...
Reviewed by Edward Greenfield in issue: 9/1984
I like the proportions of Dutoit's Franck—classical, slender, with a fine sense of forward movement and architecture. Here is a...
Reviewed by John Steane in issue: 1/1992
Nigel North's confrontation of the difficult problem of playing Bach's lute music (or, rather, that which is sometimes believed to...
Reviewed by John Duarte in issue: 6/1986
Graham Johnson once again demonstrates his skill in programme-building in this latest anthology of his, an ingenious collection of songs...
Reviewed by Lionel Salter in issue: 8/1986
This is a strong addition to the available recordings of a work that was profoundly admired by Beethoven and even...
Reviewed by John Warrack in issue: 4/1996
This year sees the 40th anniversary of Mario Lanza’s early death in Rome, aged only 38. If his posthumous reputation...
Reviewed in issue 1/1999
Listening to this disc is, to the ear, what participating in a delectable wine-tasting is to the palate. These 34...
Reviewed by mberry in issue: 1/1994
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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