Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Atys was Lully's fourth tragedie-lyrique and it was first staged in 1676 by the ''Academie Royale de Musique'' at the...
Reviewed by Nicholas Anderson in issue: 7/1987
It is with no disrespect to Broughton that I take the same impression from this score that most others have...
Reviewed by ptonks in issue: 5/1999
Diabelli's claim to fame has rested largely on his activities in the family publishing firm and, by association, Beethoven's variations...
Reviewed in issue 7/1995
Beethoven’s Horn Sonata – in its day successfully premiered by the famous Bohemian virtuoso and composer, Punto – is nevertheless...
Reviewed by Ivan March in issue: 4/1998
Suk's two full string quartets are very different works, and in their way they make a good introduction to a...
Reviewed by John Warrack in issue: 11/1994
The early 1960s were comparatively fallow years in Boult's recording career, but by 1969, when he achieved the age of...
Reviewed in issue 12/1988
For the English reader, the title perhaps obscures the contents of this disc. In 1579 the Duke of Ferrara, Alfonso...
Reviewed by Richard Lawrence in issue: 7/2008
There’s a tempting-looking television documentary that is right up your street. So tempting, in fact, that you decide to video...
Reviewed by Jeremy Nicholas in issue: 5/2005
Having reviewed a less than satisfactory Carmina Burana recording last year, it’s heartening to report on something more considered. Just...
Reviewed by Fabrice Fitch in issue: 8/2010
When Maurice Ravel’s orchestrations benefit so clearly from being played on modern instruments (see page 71), it may seem odd...
Reviewed by Edward Greenfield in issue: 10/2006
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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