Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This somewhat controversial staging opened earlier this year to a mixed reception. It treats the ever-elusive work very seriously indeed,...
Reviewed by Alan Blyth in issue: 11/2003
If we are right to celebrate or commemorate the major anniversaries of the great musicians, and surely we are, the...
Reviewed by Christopher Headington in issue: 8/1990
What remarkable talent is shown by the 14-year-old Kapell in his incomplete reading of Beethoven’s Third Concerto. That brilliance, allied...
Reviewed by Harriet Smith in issue: 5/1998
Perhaps because of its serious demeanour, Alan Rawsthorne's music has always been something of a minority interest. Today, 14 years...
Reviewed in issue 9/1985
There is, as yet, no completely recommendable Brahms First on CD and this new version from Paita does not greatly...
Reviewed by Ivan March in issue: 5/1986
In an introductory note, the composer welcomes this, 'the first major recording of my choral music from a German-based choir'....
Reviewed by John Steane in issue: 11/2002
It has been a whole year since the first disc of Staier's Scarlatti series (which figured in my most recent...
Reviewed by Lionel Salter in issue: 3/1993
The three sonatas that make up John Field's Op. 1 were written around the turn of the nineteenth century, when...
Reviewed by James Methuen-Campbell in issue: 11/1990
Carl Philipp Emanuel Bach's three sonatas for viola da gamba must be among the very last solo pieces outside France...
Reviewed by Nicholas Anderson in issue: 1/1993
Now that Kenneth Gilbert's admirable recording of these works (8/86) seems to have been withdrawn, Suzuki's chief rival, so far...
Reviewed by Lionel Salter in issue: 2/2000
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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