Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The Hyperion Dyad pairs Svetlanov’s Philharmonia performances of the two very similar symphonies of Balakirev. They bring consistently fine playing...
Reviewed by Ivan March in issue: 4/1999
Stravinsky liked Anatole Liadov, an older figure in Russian music active as composer, teacher and conductor. But Liadov was famous...
Reviewed by Peter Dickinson in issue: 13/2010
''This now has to be the recommended version'', wrote Alan Blyth, reviewing the medium-price CD reissue of Klemperer's EMI recording...
Reviewed by Arnold Whittall in issue: 8/1990
These two recordings were made in 1986 and 1988 respectively. Well versed though the Hanover Band are in the instruments...
Reviewed in issue 10/2001
Villa-Lobos wrote five piano concertos as well as other works for piano and orchestra with less concertante titles, such as...
Reviewed by Lionel Salter in issue: 12/1998
In just over 70 minutes, this disc takes us from the dawn of Britten’s creative life to its sunset. The...
Reviewed by Richard Fairman in issue: 7/2011
Always an unaffected and inspiriting Haydn conductor, Colin Davis again reveals his profound sympathy for the composer on this LSO...
Reviewed by Richard Wigmore in issue: 9/2009
Enthusiasts may already possess Bliss’s two mature string quartets in the Delmé Quartet’s superb Hyperion coupling from 1985. Now come...
Reviewed in issue 9/2002
James MacMillan’s trumpet concerto Epiclesis – meaning ‘prayer’ or ‘invocation’ – is built round a basic contrast between expansive meditation...
Reviewed by Arnold Whittall in issue: 11/2000
Mendelssohn completed his First Cello Sonata during the autumn of 1838. Like the Variations Concertantes which predate it by almost...
Reviewed by mjameson in issue: 10/1992
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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