Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Listen to how Konwitschny conducts the Overture, the large ensemble in Act 2, and indeed much of the solo work...
Reviewed by Alan Blyth in issue: 10/1990
Handel wrote his setting of Dryden’s ode Song for St Cecilia’s Day in 1739 to flesh out a revival of...
Reviewed by David Vickers in issue: 2/2009
In the first and last movements of the Sonata No. 6 Peter Donohoe, on HMV, is acutely responsive to the...
Reviewed in issue 6/1983
Nicola Porpora (1686-1768) was the son of a Neapolitan bookseller and became one of the most celebrated Italian opera composers...
Reviewed by David Vickers in issue: 11/2008
Here are compelling accounts of the solo parts of these works accompanied by routine partners and a recorded balance that...
Reviewed by Jeremy Nicholas in issue: 12/2006
Janine Jansen has a rare ability to communicate her thoughts and feelings about the music while appearing to play in...
Reviewed by DuncanDruce in issue: 1/2010
Bill Worland’s name was new to me when Marco Polo honoured him with a volume of its British Light Music...
Reviewed by Andrew Lamb in issue: 1/2003
From the early days of his career Sir Charles Mackerras has been a 'natural' among recording conductors, and here he...
Reviewed by Edward Greenfield in issue: 5/1987
Beroff made an admirable set of the complete piano concertos for HMV (SLS882, 10/74—nla) and now he contributes a useful...
Reviewed by James Methuen-Campbell in issue: 4/1986
Mendelssohn's two solo piano concertos deserve more frequent airing in the concert hall, as the late Rudolf Serkin's splendid performances...
Reviewed by John Warrack in issue: 10/1991
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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