Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
A source of perpetual admiration in this endlessly rewarding series is the sheer range of repertoire Christopher Herrick gets through....
Reviewed by Marc Rochester in issue: 11/2010
We have become so used to thinking of JS Bach’s youngest son Johann Christian as a purveyor of mid-Classical elegance...
Reviewed by Lindsay Kemp in issue: 9/2004
Though reissued at budget price, neither of these versions of the Symphonie fantastique really provides the value that is to...
Reviewed by John Warrack in issue: 12/1990
Schubert's “Great C major” is a symphony which cannot be learnt; a conductor either feels it in his bones or...
Reviewed by Richard Osborne in issue: 1/2007
The reasonably healthy listing of discs under Alkan's entry in the current Gramophone Classical Catalogue is sufficient proof that his...
Reviewed by Michael Stewart in issue: 8/1993
Antonin Kubalek was born in 1935 in Czechoslovakia but has lived in Canada since 1968. He has already made two...
Reviewed by Christopher Headington in issue: 8/1992
A more apposite coupling might have been two Russian “in memoriam” piano trios (Tchaikovsky’s written in memory of Nikolai Rubinstein,...
Reviewed by Jeremy Nicholas in issue: 2/2011
In the Beethoven the shock of the old comes right at the start, long before the entry of Monica Huggett...
Reviewed by Stephen Johnson in issue: 4/1994
Fifteen years ago the existence of the Neumeister Collection – a compendium of 82 organ chorale preludes including 38 by...
Reviewed by Marc Rochester in issue: 10/2000
Saint-Saëns was greatly regarded in his time but his reputation has slipped in our own, when ready tunefulness, elegance, craftsmanship...
Reviewed by Ivan March in issue: 9/2007
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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