Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
I gave a warm welcome to the debut recording by Stephen Coombs and Christopher Scott (LDR/Gamut (CD) LDRCD1009, 1/90), an...
Reviewed by Christopher Headington in issue: 2/1991
Antoni Wit completes his Mahler cycle for Naxos with the Eighth Symphony in an aptly celebratory interpretation – one that...
Reviewed by Andrew Farach-Colton in issue: 9/2006
That Pogorelich loves the music of Bach is not to be doubted, in fact he can't get too much of...
Reviewed by John Duarte in issue: 12/1986
This is the sixth recording of Schoenberg's Brahms orchestration to be issued since Simon Rattle's (EMI, 6/86). If only Schoenberg's...
Reviewed by Arnold Whittall in issue: 3/1993
For many years, Bruckner's so-called Romantic Symphony was the most frequently performed and recorded of all his symphonic works. Happily,...
Reviewed by Richard Osborne in issue: 4/1991
Compose violin sonatas, and you can guarantee that someone somewhere will want to lavish affections on them—even if, as here,...
Reviewed in issue 1/1994
With busy, resonant sound and a predilection for slower-than-usual tempos, Reinhard Seifried’s Mendelssohn harks back to Schubertian and Beethovenian models...
Reviewed in issue 2/1996
Israel Nestyev's biography of Prokofiev (Oxford University Press)—still, for all its propagandizing, the most comprehensive we have—regrets that his music...
Reviewed by John Warrack in issue: 8/1985
Somewhere in the world's book of fairy stories there must be one about the girl who is ushered into the...
Reviewed in issue 9/1989
The charms of La vie parisienne, Manon and La boheme notwithstanding, Louise is the essential opera set in, and about,...
Reviewed by Patrick O'Connor in issue: 9/1994
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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