Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
I suppose it’s the seemingly incongruous juxtaposition of names that gives these arrangements their particular interest. On the one hand...
Reviewed by Andrew Lamb in issue: 8/2010
Here is a collection of lollipops performed under the baton of a conductor who can be a master in this...
Reviewed by Christopher Headington in issue: 1/1990
The Russian Patriarchate Choir has yet again produced a magnificent recording of fascinating and unknown chant repertoire. This time, the...
Reviewed by Ivan Moody in issue: 10/2000
Although he was only 65 when he wrote it, and was to live for another 18 years, it seems that...
Reviewed by Michael Oliver in issue: 2/2003
This record brings together some of Orlando Gibbons's most celebrated anthems. It is not the first to have done so;...
Reviewed in issue 7/1985
Like their Shostakovich performances on Hyperion (11/99), these sinewy and extrovert Prokofiev quartets will impress, even if an excess of...
Reviewed by David Gutman in issue: 12/1999
Although written in the same year (1781), Mozart's two Serenades in E flat, K375 and C minor, K388 are very...
Reviewed in issue 3/1995
The glorious Hansel on the classic Karajan recording for EMI of Humperdinck’s opera, a famed Donna Anna, Agathe, Elisabeth, Elsa...
Reviewed by Alan Blyth in issue: /2000
This disc completes Christophe Coin’s three-disc survey of Bach cantatas which include an obbligato part for the five-string violoncello piccolo....
Reviewed by Nicholas Anderson in issue: 5/1996
Here is one of the most welcome of the BBC’s raids on its own archives. Few top-flight virtuosos did as...
Reviewed in issue 12/1996
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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