Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This recording was made back in 1982 as the soundtrack for the highly imaginative, riveting film made by Petr Weigl...
Reviewed by Alan Blyth in issue: 9/1996
Published in 1922 after scooping a Carnegie Trust Award‚ York Bowen’s Second String Quartet proves a most endearing discovery. Brimful...
Reviewed in issue 9/2002
Edith Mathis has had a distinguished career stretching now over more than 20 years as an opera and Lieder interpreter....
Reviewed by Alan Blyth in issue: 2/1990
Readers averse to the string quartet medium would do well to familiarize themselves with Shostakovich’s ‘Op 118a’. The parent work,...
Reviewed by Rob Cowan in issue: 8/2003
Throughout this bumper selection from the Beaux Arts’ vast discography I was reminded of their ability to encompass every aspect...
Reviewed by DuncanDruce in issue: 2/2004
This is a unique collection of American works involving the clarinet‚ brilliantly performed‚ but sadly‚ it is a disc very...
Reviewed in issue 9/2002
Operetta and film composer of the inter-war years, Robert Stolz has a highly active publicity machine that has proved immensely...
Reviewed by Andrew Lamb in issue: 10/2000
As IF explained in his review of the LP, the music on this recording was at one time a closely-guarded...
Reviewed in issue 7/1985
All four sonatas on Uchida's new disc come from the 1774–5 set of six which were the first the 18-year-old...
Reviewed by Joan Chissell in issue: 4/1988
Since settling in Armenia in 1947 at the age of eight (he was born in Lebanon), Tigran Mansurian has been...
Reviewed by David Fanning in issue: 5/2006
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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