Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
There is no shortage of good recordings of Also sprach Zarathustra a work that needs CD to do its orchestration...
Reviewed in issue 4/1990
Of the 27 instruments used in this ‘mixedmedia’ programme‚ six are held by the Musical Instrument Museum of Leipzig University....
Reviewed in issue 13/2002
‘A voice distinguished, among other qualities, by its rarity’. Michael Parouty, in Hugh Graham’s elegant translation, is writing, at the...
Reviewed by John Steane in issue: 4/2004
The surprise element in this formidable programme is provided by Ignaz Friedman. And as befits the work of a legendary...
Reviewed by Bryce Morrison in issue: 8/1992
I found this a distressing experience. Strauss's pieces can have seldom been played with such virtuosity, even by the same...
Reviewed by Alan Blyth in issue: 7/1993
That Claudio Arrau, 87 this year, still has plenty to tell us about Mozart is not in doubt. What you...
Reviewed by Stephen Johnson in issue: 1/1990
The South African composer Hans Roosenschoon, now in his mid-thirties, is showing encouraging signs of reacting constructively to several very...
Reviewed by Arnold Whittall in issue: 6/1986
For me, Solomon’s 1952 recordings of Schumann’s Carnaval and the Brahms Sonata in F minor are essential for the desert...
Reviewed by Stephen Plaistow in issue: 7/1997
There’s something strangely captivating about hearing Jan Garbarek and the Hilliards chase each other across the centuries to the music...
Reviewed by Rob Cowan in issue: 11/2010
Decca followed this CBS recording with Kiri Te Kanawa's selection and, issuing the CD in quick order (410 004-2DH, 7/83),...
Reviewed in issue 7/1985
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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