Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Beware of received opinions where legends are concerned. Listening to this two-disc celebration of Dame Joan Sutherland's fabulous career (for...
Reviewed by Patrick O'Connor in issue: 1/2007
As befits an opera overflowing in every way, with musical gold bursting from each curve and crevice, thanks must first...
Reviewed by Peter Quantrill in issue: 8/2008
Vivaldi has served these artists and Naïve very well in recent years, but this disc is somewhat unexpected. The label’s...
Reviewed by David Vickers in issue: 5/2008
''One of the finest Slovak performing artists'' is how the booklet describes Ida Cernecka, a pupil of Rudolf Macudzinski at...
Reviewed by Joan Chissell in issue: 2/1990
In the first half-minute or so of the Piano Duet Concerto the soloists intone a quiet oppressive Bartokian theme, rear...
Reviewed in issue 8/1992
On most points I happily refer the reader to DA's review of the original issue but must add further reservations...
Reviewed by John Duarte in issue: 2/1986
The Dutch harpsichordist Bob van Asperen, following in the steps of Gustav Leonhardt, his one-time teacher, takes the listener on...
Reviewed by Nicholas Anderson in issue: 12/1991
This is not the only organ transcription of Pictures. Being originally a keyboard work and with considerable opportunities for musical...
Reviewed by Marc Rochester in issue: 4/1989
I suppose Richard Strauss's Cello Sonata must have a number of devotees, but I was slightly frustrated to hear such...
Reviewed by James Methuen-Campbell in issue: 12/1993
‘Where has this voice been all my life?’ people will be saying as they come upon it for the first...
Reviewed by John Steane in issue: 11/2000
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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