Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This replica of the previous Music & Arts issue (1/89) of “the legendary 1926 and 1929 recordings of the Ballades,...
Reviewed by Bryce Morrison in issue: 6/1996
If you want these three Russian works together on one Compact Disc, this one is worth thinking about. Each piece...
Reviewed by Christopher Headington in issue: 8/1989
These recordings were made by Soviet Radio and date from 1973-4. Svetlanov was subsequently to re-record both symphonies in richer,...
Reviewed by Ivan March in issue: 10/1997
A quick glance at Warner Classics’s note reminds us that the twin sisters Güher and Süher Pekinel studied with Serkin,...
Reviewed by Bryce Morrison in issue: 2/2006
This, surprisingly, is John Lill’s first recording of any of Schumann’s solo piano works. I wish I could give him...
Reviewed by Jeremy Nicholas in issue: 5/2004
Some years ago Marie-Claire Alain gave a series of Bach recitals in London's Royal Festival Hall. The one enduring memory...
Reviewed by Marc Rochester in issue: 4/1992
Here is a most congenial programme, ending with a tour de force which must be brought forward into the light...
Reviewed in issue 10/1996
Delos has employed the designer from hell: its cover artwork is hideous and the rubbery jewel case partitions keep falling...
Reviewed by David Gutman in issue: 6/2000
For all his talent Cuban-American Santiago Rodriguez remains a sadly inconsistent, unfocused pianist; almost as if his mood changed from...
Reviewed by Bryce Morrison in issue: 6/2000
Delightful music, delightfully played. The Sinfonia concertante is musically the more appealing of the two pieces, particularly the slow movement...
Reviewed by Harriet Smith in issue: 7/1998
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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