Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Born in the north of Ireland, Clíona Doris graduated from Queen’s University, Belfast in 1992, continued her studies under Susann...
Reviewed by Andrew Achenbach in issue: 9/2003
This programme of ten Debussy pieces is something of a hotch-potch. I get the feeling that the coming together of...
Reviewed in issue 10/1986
The Danish harpsichordist Lars-Ulrik Mortensen makes his recorded (UK) debut as a soloist in this all-Bach programme, well tailored to...
Reviewed by John Duarte in issue: 1/1989
All the works in this delightful collection of English guitar concertos were inspired by Julian Bream‚ with Craig Ogden proving...
Reviewed in issue 4/2002
Ensemble 415 make a sparkling debut in these pages with a selection of baroque and pre-classical works by the Sammartinis...
Reviewed in issue 4/1987
How sensible of Archiv to reissue this fine recording in a two-CD set. Zelenka was a Bohemian contemporary of Bach,...
Reviewed by Nicholas Anderson in issue: 1/1989
Francesc Valls (1671‑1747) was choirmaster at the cathedral in his native Barcelona for much of his career. Joan Grimalt, the...
Reviewed by David Vickers in issue: 8/2007
Krivine's performance is at its most effective in the more delicate passages of the symphony. ''Un bal'' waltzes along nicely,...
Reviewed by John Warrack in issue: 12/1994
This is a richly rewarding record, full of surprises and revelations. Costanzo Festa is hardly a household name (before this...
Reviewed by Iain Fenlon in issue: 11/1994
We hear too little of Marjana Lipovsek in Britain, so her new recording receives a hearty welcome, and not least...
Reviewed by hfinch in issue: 11/1988
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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