Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
However many versions of Fischer-Dieskau singing Winterreise you may own, this one – televised in Berlin in 1979 – is...
Reviewed by Alan Blyth in issue: 9/2006
Here is a rare chance to savour all of Chopin’s piano sonatas played on contemporary instruments by his two preferred...
Reviewed by Jeremy Nicholas in issue: 11/2011
After his spectacular Rachmaninov and Scriabin performances, both on LP and in the concert hall, Bach was the last thing...
Reviewed in issue 6/1985
Barry Guy has a knack of pitting harmony against relative dissonance and to great rhetorical effect. But it's no new...
Reviewed in issue 1/1994
A finalist in the 1974 Tchaikovsky Competition, the violinist Cenek Pavlic remains an obscure figure here in the West, and...
Reviewed by mjameson in issue: 4/1992
Just about three years ago, Radu Lupu gave us a Humoreske as likely to haunt the memory as Richter’s. And...
Reviewed by Joan Chissell in issue: 8/1998
If I am not mistaken this is Stephen Kovacevich's first solo recording for six or seven years, and it demonstrates...
Reviewed in issue 10/1992
A modern version of the great C minor Mass for around a fiver may seem a tempting proposition, especially given...
Reviewed by Richard Wigmore in issue: 11/1999
This survey of more than half a century of John Joubert’s composing life focuses on works for a relatively small...
Reviewed by Arnold Whittall in issue: 1/2010
This is the digital recording of Scheherazade we have been waiting for. It has the freshness of impact of Haitink's...
Reviewed by Ivan March in issue: 10/1990
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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