Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
An ideal pairing: two of Holst's most ambitious, imaginative and questing creations, still under-appreciated to this day. Initially inspired by...
Reviewed by Andrew Achenbach in issue: 3/1994
Finding a uniquely personal style is harder now for a composer than it has ever been. Gloria Coates, an American-born,...
Reviewed by Michael Oliver in issue: 3/1997
This comes close to being a giantkiller among Wozzeck recordings; I have a few reservations but I admire this new...
Reviewed in issue 3/2002
This record makes an atmospheric impression immediately with a polished, lyric ''Dreaming'' (from Four Sketches, Op. 15, written in 1892),...
Reviewed by Peter Dickinson in issue: 2/1991
As Trevor Harvey pointed out in his original review (4/83), this, Andrew Davis's second recording of the Enigma (he has...
Reviewed by Andrew Achenbach in issue: 9/1994
Those who, sadly, retain an image of Dame Myra Hess as either a sober-suited pianist inclined towards severity or a...
Reviewed by Bryce Morrison in issue: 3/1996
If you admire Samuel Beckett’s ability to make memorable artworks out of an unsparing, if not despairing, pessimism, then the...
Reviewed by Arnold Whittall in issue: 4/1997
Urtext has been steadily producing a fascinating series of discs of music from Mexico, using by and large Mexican musicians....
Reviewed by Ivan Moody in issue: /2000
Though only No. 13 can be dated with certainty, all four works here belong to the years 1760-63, spanning Haydn's...
Reviewed by Richard Wigmore in issue: 3/1994
How many Chôros are there? Fourteen numbered examples (with two claimed as “lost”), two Chôros bis, a Wind Quintet en...
Reviewed by Guy Rickards in issue: 10/2008
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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