Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The second Northern Ballad has been rarely heard since its first performance in 1946 (12 years after its composition) and...
Reviewed by Michael Oliver in issue: 9/1986
Previn's 1972 LSO version—reissued on Classics for Pleasure—emerges very favourably against the new competition. The recording is extremely vivid and...
Reviewed by Ivan March in issue: 3/1993
Several young and sceptical listeners have, I know, been converted to this work by Britten's electrifying interpretation. Listening to it...
Reviewed by Alan Blyth in issue: 5/1989
These are bright, clean performances, and the G major Quartet strides away confidently and buoyantly, while at the same time,...
Reviewed by Christopher Headington in issue: 7/1993
The four Suites BWV1066-9 can be compressed on to a single Compact Disc, as Janos Rolla has proved (Hungaroton/Conifer (1)...
Reviewed by John Duarte in issue: 4/1989
Sergei Taneyev‚ pupil of Tchaikovsky‚ teacher of Scriabin‚ and friend of Tolstoy‚ was considered an important composer in his lifetime...
Reviewed in issue 3/2002
If part of the purpose of videos and now CDV—the library function, if you like—is to preserve outstanding performances for...
Reviewed by rmaycock in issue: 7/1989
Although not in favour of all-purpose reverberation, I wonder if EMI are taking a risk in presenting these pictorial scores...
Reviewed by jswain in issue: 4/1990
Like Toscanini, Boult and Barbirolli, Leopold Stokowski carried some of his finest interpretations well into old age – further in,...
Reviewed in issue 7/1998
Grieg's Lyric pieces belong in a tradition of short pianistic essays and tone-poems, of which famous earlier examples include Beethoven's...
Reviewed by Christopher Headington in issue: 2/1991
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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