Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Mozart's divertimentos are at the moment represented in the catalogue surprisingly poorly, and this beautifully played and recorded disc helps...
Reviewed by Edward Greenfield in issue: 11/1987
Continuing his series of Shakespeare-topical repertoire with Musicians of the Globe, Philip Pickett leaves the relatively ‘high’ art of odes...
Reviewed by Jonathan Freeman-Attwood in issue: 9/1999
‘Historical’ recordings usually fit one of two categories, those that are so artistically exceptional that they transcend period musical manners...
Reviewed in issue 8/1998
In his review of the LP version, RF concluded by saying that he found it difficult to choose between Simon...
Reviewed by Nicholas Anderson in issue: 8/1984
I enjoyed most of this disc very much indeed. Järvi is always in absolute control, forcing me to forgive one...
Reviewed by rnichols in issue: 7/2004
Mikhail Pletnev is a forceful personality, and force is the ruling characteristic of this record. He directs the Konzertstuck from...
Reviewed by John Warrack in issue: 1/1998
The Parnassus Trio’s record of Hummel’s seven piano trios explored some very interesting and enjoyable music by a composer whose...
Reviewed by John Warrack in issue: 6/1997
It should perhaps be explained, for readers unfamiliar with the term, that Jugendstil refers not to the youthful style of...
Reviewed by Lionel Salter in issue: 4/1992
I'm sure every record lover knows that feeling when you play a record for the first time and somehow know...
Reviewed in issue 1/1989
Reviewed by Alan Blyth in issue: 1/2003
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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