Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The Concierto para una fiesta was commissioned by a wealthy Texan, as a ‘coming-out-party’ present for his daughters, admirers of...
Reviewed by John Duarte in issue: 7/2003
No pianist played closer to the edge than Vladimir Horowitz. And here, in this invaluable reissue of performances dating from...
Reviewed by Bryce Morrison in issue: 6/2008
The Ferrara Ensemble offers here a very well conceived cycle of chansons and motets d’amour‚ engagingly reflected upon in Jacques...
Reviewed in issue 13/2002
Music as a simultaneity of perspectives has long been central to the thinking of Elliott Carter, making him an ideal...
Reviewed by kYlzrO1BaC7A in issue: 1/2007
This was La Scala’s Japanese production. Two of the principals, the designers of sets, costumes and lighting and the producer...
Reviewed in issue 5/2001
The contents of these discs are, in essence complementary. Erato score with the first recordings of Carter's two most recent...
Reviewed by Arnold Whittall in issue: 2/1990
The latest release from the award-winning viol consort Phantasm sees them turning to the consort song repertory for the first...
Reviewed by Lindsay Kemp in issue: 10/2000
Gieseking in Bach rather than Debussy, Ravel or Mozart, in whose music his reputation stands high? But he did make...
Reviewed by Lionel Salter in issue: 11/1990
The leading named figure of early 15th-century German song, Oswald von Wolkenstein, is absent from this anthology, which focuses instead...
Reviewed by Fabrice Fitch in issue: 12/2000
Serebrier here makes his first appearance in The Classical Catalogue wearing his composer's hat. Perhaps one should better say 'hats'—conductors...
Reviewed by John Duarte in issue: 5/1992
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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