Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
“Liszt was here” is a badge of honour that could probably be claimed by most centres of civilisation in 19th-century...
Reviewed by John Steane in issue: 10/2009
Mélanie Bonis was born in Paris in 1858. A student of Franck and Guiraud, Debussy and Pierné were her peers...
Reviewed by Guy Rickards in issue: 6/2008
Don’t be too embarrassed if you haven’t heard of Handel’s Nabal. Nor had Handel. This is one of the oratorios...
Reviewed in issue 10/2002
There have been several excellent recordings devoted to Cage's earlier music for piano and prepared piano. The Etudes Australes, for...
Reviewed by Peter Dickinson in issue: 7/1993
Jean Richafort is one of many composers who might be known under the collective name‚ ‘School of Josquin’. The notion...
Reviewed in issue 10/2002
Rysanek's long and distinguished career, already encompassing some 45 years has not been that well documented on commercial CDs, but...
Reviewed by Alan Blyth in issue: 2/1995
When the violin sonatas of Debussy and Ravel present such clear parallels, both of them late works, cryptically elusive and...
Reviewed by Edward Greenfield in issue: 3/1994
Typically, Giulini has allowed himself more musical time for his latest explorations of these symphonies, and the obvious point to...
Reviewed by John Steane in issue: 11/1994
It was a new experience for me hearing a lot of Haydn overtures on the trot, and how good most...
Reviewed in issue 4/1985
Such was the overwhelming critical acclaim that greeted the March 1917 premiere of John Ireland's Second Violin Sonata (a masterly...
Reviewed by Andrew Achenbach in issue: 3/2000
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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