Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Not many of Handel’s operas – the only other obvious example is Giulio Cesare – involve the listener in the...
Reviewed by Stanley Sadie in issue: 2/1998
These days there is no excuse for not knowing Vivaldi’s sacred music, or at least not being aware of it....
Reviewed by Lindsay Kemp in issue: 13/2003
What is immediately striking here is the excellent playing of the Minnesota Orchestra in all departments. The wind solos do...
Reviewed by Ivan March in issue: 12/1984
Luc Bondy’s Aix-en-Provence production, here captured at a later Paris performance, confirms that Hercules is superb theatre. The grafitti-style opening...
Reviewed by David Vickers in issue: 4/2006
Although La donna del lago was written in 1819, towards the end of Rossini's time in Naples, it has little...
Reviewed by Richard Osborne in issue: 2/1995
When these recordings first appeared in the 1970s they met with a degree of critical reserve. Brendel's versions of these...
Reviewed in issue 8/1993
I much enjoyed Monica Huggett's first disc of Mozart's violin concertos (9/94), and its successor is, if anything, even finer....
Reviewed by Richard Wigmore in issue: 3/1995
This new cycle, Opus Arte’s first CD release, was assembled from performances of the current Bayreuth stage production recorded during...
Reviewed by Mike Ashman in issue: 1/2010
The Thomas Thamar organ in Framlingham, formerly in Pembroke College, Cambridge, was built in 1674, and all the Great registers...
Reviewed by Lionel Salter in issue: 11/1983
While for obvious reasons this wasn't billed as ''The Final Concert'' at the time, there must have been quite a...
Reviewed by Stephen Johnson in issue: 12/1992
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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