Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Of course, Vlado Perlemuter, who was giving concerts in the 1920s, represents a very different style of Chopin playing to...
Reviewed by James Methuen-Campbell in issue: 4/1990
I think we're on to a winner with this record: for years, now, parish groups, amateur choral societies professional choirs...
Reviewed by mberry in issue: 12/1989
It is clear right from the start, with the almost aggressive snarling brass and thudding drums of the opening Toccata,...
Reviewed by Iain Fenlon in issue: 12/1995
From having been the standard version, the reorchestrated scoring of Faure’s Requiem has almost become the exception among performances, at...
Reviewed in issue 1/1996
It is good to have Goldmark's Rustic Wedding Symphony in the CD catalogue at last, a work admired by Brahms...
Reviewed by Ivan March in issue: 5/1992
Unusually popular repertoire for Hyperion; but the special interest here is Pluto, commissioned by the Halle’s outgoing director Kent Nagano...
Reviewed in issue 8/2001
Although Sommernacht, the glorious Violin Concerto and operas such as Penthesilea and Massimila Doni are great achievements, it is his...
Reviewed by Robert Layton in issue: 3/1994
Maria Kliegel’s greatest strength is her sensitivity to the more introspective aspects of both concertos – the First especially, where...
Reviewed in issue 10/1996
From Mozart's first set of 'mature' violin and piano sonatas of 1778 (CD DG410 896-2GH, 4/84 and 415 102-2GH, 7/85),...
Reviewed by Joan Chissell in issue: 4/1987
The avowed intention of this record is to champion the music of two Interesting Historical Figures (as Tovey would probably...
Reviewed by rgolding in issue: 9/1985
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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