Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Ever since first encountering Gavrilov at the Touraine Music Festival in the mid-1970s, I've thought him a player of infinite...
Reviewed by Joan Chissell in issue: 6/1992
It is good to have a second view of an ambitious modern symphony which, as I said when reviewing the...
Reviewed by Edward Greenfield in issue: 1/1997
The 1952 Edinburgh Festival was the first that I attended, and I vividly recall that one of its most engaging...
Reviewed by Alan Blyth in issue: 2/1988
For a long time, this setting of the St John Passion was taken to be a work of Handel's youth—written,...
Reviewed by Stanley Sadie in issue: 7/1988
This reissue is valuable in including the only available recording of the Op. 66 Scenes historiques, which are, as it...
Reviewed by Ivan March in issue: 4/1985
With two discs released in as many months, the Italian early-music scene has truly got its teeth into Gesualdo. I...
Reviewed by Fabrice Fitch in issue: 12/2000
Lauded by Brahms, Tchaikovsky and Hanslick, and declared by Goldmark to have ''no equal and no superior among pianists, dead...
Reviewed by Lionel Salter in issue: 4/1989
“A titanic composition by the standards of any period of musical history,” proclaims Bertil van Boer in his informative booklet-note,...
Reviewed by Richard Wigmore in issue: 7/2010
The Labèque sisters offer a truly superlative account of the great F minor Fantasy in rich, warm-blooded sound. Rarely has...
Reviewed by Jeremy Nicholas in issue: 4/2008
A distinctly satisfying coupling, this: “two of the absolute ‘Matterhorns’ of the two composers”, as Lars Vogt himself puts it,...
Reviewed by Jeremy Nicholas in issue: 11/2010
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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