Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This is a portrait of a genre characterised by tuneful responses to the idea of lamenting. While Buxtehude’s music takes...
Reviewed in issue 10/2001
Macdowell's Second Piano Concerto, with its luxuriant romanticism and darkly eddying figurations, once enjoyed considerable popularity before a severer age...
Reviewed by Bryce Morrison in issue: 10/1993
Sneaking back into contention on the budget Encore label, André Previn’s first, 1973 version of the Eighth would sit just...
Reviewed by David Gutman in issue: 3/2008
The Alto label here offers three Elgar recordings not previously available in Britain, two of which are of outstanding quality....
Reviewed by Edward Greenfield in issue: 12/2009
In live performance, Theseus Game (2002-03) offers clear visual contrasts: an ensemble of 30 players has two conductors, and there’s...
Reviewed by Arnold Whittall in issue: 13/2004
The Honegger symphonies have been well served on CD in recent years. Both the Symphony for Strings (No. 2) and...
Reviewed by Robert Layton in issue: 7/1994
In Mozart and above all Wagner, Daniel Barenboim has few peers. The pianist-conductor has come late to recording Mahler symphonies,...
Reviewed by David Gutman in issue: 6/2006
I much admired at least two of Trotter’s CDs for Argo, especially his Liszt double-bill with the Ad nos and...
Reviewed by Peter Dickinson in issue: 8/1996
With Robert King's voyage of discovery for Hyperion through Purcell's sacred music continuing to peer round every corner and admire...
Reviewed by Lindsay Kemp in issue: 2/1994
If you can keep a straight face through the master/servant antics of the club-addicts Leander and Henrik, if you can...
Reviewed in issue 13/1998
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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