Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Following their highly successful recording of Josquin's Missa Pange Lingua, The Tallis Scholars have returned to the undisputed master of...
Reviewed by Tess Knighton in issue: 7/1989
Gates of Gold sets the hardy tale of Chinese immigration to California during the Gold Rush. It starts out like...
Reviewed by Rob Cowan in issue: /2000
The Leningrad Philharmonic Orchestra's reputation has long been out of all proportion to its representation on record, at least in...
Reviewed in issue 6/1992
The last 18 months have been enlightening and sobering ones for listeners who have been collecting, in encouragingly plentiful numbers,...
Reviewed by Jonathan Freeman-Attwood in issue: 10/1994
There is much to savour here: the thrilling sense of spectacle engendered in the brazen Prelude to The Man Who...
Reviewed in issue 1/1997
The CPO label has already given us five symphonies by Ahmed Adnan Saygun (1907-91), probably the premier Turkish composer of...
Reviewed by David Gutman in issue: 7/2006
As a teenager in the 1940s, Byron Janis studied with Horowitz for three years and has a sure technique and...
Reviewed by Christopher Headington in issue: 9/1991
The market may have something to say about this. The first track and the last are just the sort of...
Reviewed in issue 9/1997
Though only Dvorák’s Serenade is familiar here, and is given a performance of great friendliness and charm, a firm historical...
Reviewed by John Warrack in issue: 1/2010
This EMI issue offers absolutely first-class sound with splendid definition and range. I wrote at length about the performances on...
Reviewed by Robert Layton in issue: 1/1987
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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