Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
A state-of-the-art recording of such realism and naturalness that one soon forgets that one is at home and not in...
Reviewed by Robert Layton in issue: 5/1988
The indefatigable Gerard Schwarz continues his invaluable pioneering work on behalf of American music with this second volume of orchestral...
Reviewed by Andrew Achenbach in issue: 10/1994
Now that it no longer matters (if ever it did) whether Arthur Bliss’s Piano Concerto was an absurd anachronism in...
Reviewed by Michael Oliver in issue: 1/2001
The masterpieces for piano quartet can be counted on the fingers of two hands: two by Mozart, one by Schumann,...
Reviewed by rgolding in issue: 1/1994
Laurent Korcia is a pretty considerable fiddler. He plays a 1719 Stradivarius with great aplomb and succulent timbre, and he...
Reviewed by Ivan March in issue: 4/2005
Like the Andras Schiff recording of Mozart piano works issued for the bicentenary (5/92), this disc was recorded in the...
Reviewed by Stanley Sadie in issue: 3/1993
In his illuminating booklet-essay Stephen Hough remarks that Schubert’s individualism, in extreme contrast to Beethoven’s, is ‘a withdrawal into solitude...
Reviewed by Richard Wigmore in issue: 6/1999
Peter Warlock is a good composer to be away from for a time. Then when you meet up again the...
Reviewed by John Steane in issue: 1/2007
First impressions were very favourable. Baltimore-born Hilary Hahn makes colourful music of the Prelude of the E major Partita, a...
Reviewed in issue 2/1998
Sibelius’s songs have taken a long time to come in from the cold. After all‚ the few that are relatively...
Reviewed in issue 7/2002
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.