Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Right from the first publications of the Venetian printer Petrucci in 1506‚ early Lamentations music was characterised by its extreme...
Reviewed in issue 8/2002
Weber's place in the record catalogues, and in our record collections, owes most to pieces like Invitation to the dance...
Reviewed in issue 2/1985
There are I'm sure some stalwarts abroad who would claim that Byrd's masses only sound right when sung by the...
Reviewed in issue 3/1985
A cheerful little record, this, of three lightweight works played most exquisitely by very distinguished artists. In fact I am...
Reviewed by Stanley Sadie in issue: 6/1986
Here is a splendid disc, with some music that is new to the catalogue, including all three works by Martin....
Reviewed by Christopher Headington in issue: 9/1993
With the superb French National Orchestra/Dutoit cycle (Erato, 6/87) recently deleted, this new set (again, a co-production with Radio France)...
Reviewed by John Steane in issue: 6/1996
Many music lovers are also foodies; and this is aimed mainly at them. It is not so much a CD...
Reviewed in issue 1/2002
Benjamin Frankel was a late developer, and the first years of his maturity were also those in which he spent...
Reviewed by Michael Oliver in issue: 2/1995
Bohumil Gregor’s handling of this evergreen score has remained among the more openly warm of any on record, in places...
Reviewed by John Warrack in issue: 1/1997
Nick Sandon’s masterly introduction is informative, objective and illuminating. It places Mary’s short reign within the bewilderingly stormy context of...
Reviewed by mberry in issue: 4/1999
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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