Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This delightful release finds Stephen Hough revisiting Virgin territory. A bad pun, yes, but not an oxymoron! Hough recorded two...
Reviewed by Jed Distler in issue: 12/1999
The sheer variety of Reger’s music could hardly be better suggested than by this pair of discs. Reger the wild...
Reviewed in issue 10/2002
Good studio recordings of Andrea Chénier are in plentiful supply, Corelli's own of 1963 (see above) among them. But the...
Reviewed by John Steane in issue: 3/2007
It was a characteristically bold step by the 21-year-old Ginastera to make his Op 1 an ambitiously scored orchestral ballet...
Reviewed by Guy Rickards in issue: 2/2007
With this third volume (the first two were reviewed in 12/96), Nicholas Ward and the Northern Chamber Orchestra complete their...
Reviewed by John Warrack in issue: 13/1997
Andrew Ford‚ born in Britain 45 years ago but resident in Australia for the last 20‚ is a composer who...
Reviewed by Michael Oliver in issue: 8/2002
Johan Kaspar Mertz was born in Pressburg (now Bratislava) in 1806. It is not known who taught him to play‚...
Reviewed in issue 13/2002
Everyone who has sat at a piano stool at a tender age will find old friends amongst the pieces comprising...
Reviewed by Nicholas Anderson in issue: 12/1986
Recorded in 2004‑06, this Mozart piano concerto cycle first appeared on the small Pro Musica Camerata label. In the main,...
Reviewed by Jed Distler in issue: 9/2011
The Three Choirs are very much at the heart of the English choral tradition, and here are two of them...
Reviewed in issue 12/1988
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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