Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
These recordings appeared in impeccable French LP transfers two years ago and their transfer to the new medium is most...
Reviewed by Robert Layton in issue: 9/1987
Completed in April 1930, Bax’s Winter Legends, a large-scale sinfonia concertante for piano and orchestra containing some of his most...
Reviewed by Andrew Achenbach in issue: 8/2005
The Shanghai Quartet’s rich, warm, beautifully blended sound is a real asset in Brahms, as is the impressive command, all...
Reviewed by DuncanDruce in issue: 7/1998
Billed as the most expensive musical to hit London’s West End (with costs exceeding £10 million) Disney’s Beauty and the...
Reviewed by mp kennedy in issue: 13/1997
A ''muted welcome'' was all I could give Serebrier's RCA disc. Now it is time for the full fanfare treatment...
Reviewed in issue 4/1989
It was Dorati who made the pioneering first complete recording of The Nutcracker, also for Mercury, in 1953. This is...
Reviewed by Ivan March in issue: 9/1992
It was the enthusiastic reception of its “Entre nous” set of rare Offenbach excerpts (11/07) that persuaded Opera Rara to...
Reviewed by Andrew Lamb in issue: 5/2010
As the Carmina Quartet point out in their booklet-notes, this is not the usual kind of quartet disc, but one...
Reviewed by Lindsay Kemp in issue: 7/2010
Solti's collection of Verdi choruses is not derived from his various opera sets, but newly and resplendently recorded, with the...
Reviewed by Ivan March in issue: 4/1991
Opus 111’s Vivaldi series continues to expand at bewildering pace, as indeed it needs to if its aim of recording...
Reviewed by Lindsay Kemp in issue: 9/2004
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.