Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Opening a varied trio of recent issues this month is this Barber from the 1988 Schwetzingen Festival‚ well remastered in...
Reviewed in issue 13/2001
Shakespeare was a lifelong enthusiasm for Nystroem and he reworked ideas from his incidental music for The Tempest in his...
Reviewed by Guy Rickards in issue: 3/2005
Sir George Dyson (1883-1964) hasn't survived so well as he might have done. His music is not easily forgotten, but...
Reviewed in issue 9/1985
The chief point of interest here is the restoration to the catalogue of the five Ronsard poems, which, if perhaps...
Reviewed by Lionel Salter in issue: 10/1991
Three serenatas by Vivaldi survive (he is known to have composed at least eight)‚ of which La Senna festeggiante is...
Reviewed in issue 13/2002
Turina was a gentle man who, like Segovia, placed high value on beauty and clarity of thought, and responded to...
Reviewed by John Duarte in issue: 4/2003
The miraculous mandarin is the most savagely treated of all Bartok's stage victims lured from the streets, seduced, assaulted and...
Reviewed in issue 10/1993
Comparing these two CDs has been an object lesson in contrasts, starting with the woman to whom Andrew Manze’s selection...
Reviewed by Rob Cowan in issue: 11/2005
This release of a 20-minute devotional work by Henryk Gorecki might seem like cashing in on the phenomenal popularity of...
Reviewed by Marc Rochester in issue: 5/1993
Segovia once described Sor as ''loquacious'' but his output was modest in comparison with that of many other nineteenth-century guitarist/composers,...
Reviewed by John Duarte in issue: 11/1991
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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