Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Minkus is a man of pleasant surprises, whose music has been too readily denigrated. No doubt he did indeed lack...
Reviewed by Andrew Lamb in issue: 7/1994
This curious hotchpotch of a CD was recorded during the climax of Yo-Yo Ma’s Silk Road Chicago project. Alan Gilbert...
Reviewed by Philip_Clark in issue: 7/2008
Much of the sparkle in this performance of one of the pillars of the zarzuela grande repertoire – which first...
Reviewed by Lionel Salter in issue: 2/1996
According to the prominent red caution notice provided, one approaches the opening track on this CD at one’s peril. But...
Reviewed by Ivan March in issue: /2000
It’s undeniably useful to have 26 of the songs Debussy wrote before his 22nd birthday on a single disc. Such...
Reviewed by rnichols in issue: 10/2003
Writing last autumn in Spectator's special French issue, Digby Anderson suggested that 1962 was the last year of the Old...
Reviewed by Richard Osborne in issue: 7/1988
When a composer, especially a prolific one much of whose music has become popular, declares something to be his most...
Reviewed by Lionel Salter in issue: 11/1998
Zukerman's earlier account of this Concerto, I recall, divided opinions sharply. Some Elgarians (myself included) found it all a mite...
Reviewed by Andrew Achenbach in issue: 1/1994
After a period of absence Hindemith seems to be coming back into favour, gramophonically, at any rate, with a number...
Reviewed by Ivan March in issue: 2/1988
Decca is clearly intent on putting its weight behind Nico Muhly (30 this year), this third release of his music...
Reviewed by Richard_Whitehouse in issue: 9/2011
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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