Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The piano dominates in both scores and one can scarcely complain if it does so in the recording. There were...
Reviewed in issue 3/1985
Perhaps harpists make the best composers for the harp; or perhaps they just have the knack of writing the music...
Reviewed in issue 7/1985
Andre Campra was one of the leading figures on the French musical stage between Lully's death in 1687 and Rameau's...
Reviewed by Nicholas Anderson in issue: 9/1992
Boris Lyatoshinsky, who died aged 73 in 1968, was one of the most distinguished Ukrainian composers of his time, and...
Reviewed by John Warrack in issue: 11/1994
My previous encounter with Joby Talbot (b1971) left me impressed by his accomplished scoring and effective use of economical forces,...
Reviewed by Jeremy Nicholas in issue: 8/2005
This comes from the the 10 - LP Brahms Edition Lieder set which Jessye Norman originally shared with Fischer-Dieskau. She...
Reviewed by John Warrack in issue: 8/1985
As the longest season in the liturgical calendar, Trinity is represented by the largest corpus from within Bach’s cantata oeuvre,...
Reviewed by Jonathan Freeman-Attwood in issue: 10/2009
''To boldly go where no man has gone before'' is undoubtedly brave, but Jean-Marc Luisada shows another kind of courage...
Reviewed by Christopher Headington in issue: 12/1994
Mozart's symphonic and instrumental music, to say nothing of the operas, sometimes makes us forget his sacred choral music (even...
Reviewed by Christopher Headington in issue: 5/1991
Conlon Nancarrow moved from the US to Mexico City in 1940 largely because of his communist affiliations. He spent the...
Reviewed by Peter Dickinson in issue: 12/2004
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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