Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The most thrilling performance of this symphony I have heard in years! In 40 years to be precise, since I...
Reviewed in issue 5/1985
Here’s a major virtuoso not yet in her mid-twenties simply letting her hair down – and what lovely hair, as...
Reviewed by Peter Dickinson in issue: 3/2001
In a rich period of Beethoven cello and piano issues, this latest contender offers highly distinctive performances, played with enormous...
Reviewed by DuncanDruce in issue: 6/2005
Riccardo Chailly’s credentials as a Mahlerian cannot be faulted, not least on disc. Once more, where his own admirable orchestra...
Reviewed by Alan Blyth in issue: 5/2003
An earlier HMV issue (ASD3076, 6/75) has Perlman playing two of these same concertos, the D minor and the Double...
Reviewed by Edward Greenfield in issue: 1/1985
This long recital of Schumann Lieder is a bit of a curate’s egg as regards both songs and interpretation. As...
Reviewed by Alan Blyth in issue: 1/2005
What television channel today would dare to put out a regular live programme in which singer and accompanist give an...
Reviewed by Patrick O'Connor in issue: 6/2003
Honegger's 'dramatic oratorio' Jeanne d'Arc au bucher used to be better known than it is today, and there are reasons...
Reviewed by Christopher Headington in issue: 12/1993
Byrd's Latin motets and English anthems (around 200 works in all) form, to quote Rutter's excellently thorough annotation, ''the larger...
Reviewed by John Duarte in issue: 4/1990
It is five years since Chandos issued Volume 1 of their Dallapiccola series but the wait has been well worthwhile....
Reviewed by Arnold Whittall in issue: 5/2010
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.